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and Liszt—highlighting the beauty and excitement of piano collaboration in its many forms
Originally written for a two-manual harpsichord
San Juan CityAugust 30
Menuett D major D 41 Nr
Ave Maria - Bach/Gounod Arabesque and Liszt—highlighting the beauty andGounod had no qualms about arranging well known works by earlier masters after his own fashion. Thus in 1852 he added a melody with its own operatic climax to the famous arpeggios of the C major Prelude BWV 846 from Bachs Well Tempered Clavier. He first published instrumental versions of it under the title Mditation, then tried fitting various texts to the melody until in 1859 he arrived at the definitive vocal version using the text of the Ave Maria.
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